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فلسفه::
حضور مشترک
Indeed, it might be argued that a special kind of configuration of consciousness is necessary for the re- lationship of margin and centre to co-exist and for them to be painted and viewed as co-present.
The structured, conscious and self-conscious ways in which these images are em- ployed, however, show that rather than maintaining the repressed non- conscious and conscious binary in relation to the marginal image and the text in the centre, respectively, we are dealing rather with a con- sciousness of a co-presence which produces a critical distance, not merely from the sensations depicted in the margin diagrams but also from any special conscious effort it would require to repress them.
We are not simply dealing with the interpretation of meaning by way of comparing text to visual symbols, margin to centre, but with the structure of this interpretation which brings both into co-presence as a relation.
The margin, which is a frame, is not just an appro- priate visualisation for the co-presence of one mental state with an- other it is a product of and catalyst for such a process of conscious- ness.
Conversely, phenomenologists must recognise that what happens in the world of the painting is no mere mentalistic con- struction of the viewer but a co-presence that is mutually creative.
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